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BIBI XIA: How many instruments do you play and how do you determine what instrument goes with what song?
SOPHIA JAMES: Good question. I mean, I like to think of my voice as my first instrument, because it does require many hours of practice and learning and growing just like any other instrument. And I play piano and guitar. Though I’m always hesitant to say I’m a “guitarist” because there’s a certain caliber of expertise with it that I don’t feel I’ve reached. But I play just enough to communicate musically what I want to say with my own songs. So three, I guess. I used to play violin in elementary and middle school, but if I tried to touch a violin these days, it’d probably sound like a dying cat.
As far as determining what instrument goes with what song…I wish it were more intentional, but it typically depends on what’s accessible to me at the moment. Lately, I’ve been writing a lot of guitar-centric songs because I’ve been traveling more and the guitar is simply the more portable instrument of the two I play. But when I’m home and have access to my keyboard, I’m often more inclined to write piano-driven songs because I’m more fluent on the keys. It really depends.
BX: Can you tell us how you selected the theme of this album?
SJ: I began this project in 2021 during my senior year of college when time seemed to be moving so quickly and nothing really made sense. The world was creeping its way out of a quarantine that felt like a time warp, I had just turned 22 and was coming to terms with what it means to be an adult, and I was still reckoning with fresh feelings of grief from the loss of my mother during my teenage years. I found myself writing more and more about time and how it works and what it means because it gave me some semblance of grounding during that hectic period. It was a topic that really fed my curiosity, so I chose to follow it. Before I knew it, I had a collection of songs that all revolved around time in one way or another, so it made sense to present them all together in one project.
BX: What was the inspiration behind “First Time Around”?
SJ: So there’s this quote by Thomas Edison that’s like, “I haven’t failed, I’ve just found 10,000 ways that don’t work”, in regard to his inventing the lightbulb. I often think about that quote with a lot of disdain and frustration because I feel like I don’t possess that kind of innate persistence. I have a lot of inconsistency when it comes to completing tasks and I have this general habit of giving up if I don’t succeed at something immediately. It affects everything in my life, down to the relationship that I reference at the end of the song. It was something I couldn’t bring myself to try and fix because I felt too ashamed that I wasn’t able to make it work the “First Time Around”.
BX: Why did you choose “Clockwork” as the EP title and what is the song about?
SJ: The EP title “Clockwork” is kind of a cheeky little double entendre: the word itself alludes to the repetitiveness of life, which is a common theme in the project, and the project itself is a work made up of stories about time. Lol. The title track “Clockwork” is a lesson on how to predict the future by paying close attention to life’s repetitive cycles. It applies to fashion trends, politics, emotional habits, and more.
BX: Speaking of time, what’s your favorite time of day?
SJ: My favorite time of day is that fleeting moment between day and night right before it gets completely dark. All the strangest things happen during that time.

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BX: “Circadian Rhythm” and “Heat Death” are stylistically different from your previous works. What prompted you to shift styles?
SJ: I’m very drawn to a lot of the sonic qualities of the pop world. While working with the production team The Eleven on this project, I knew I had a rare opportunity to learn from their experience as pop producers about how to craft that kind of music. I had been creating very somber music for so long that I felt the urge to express a more playful side of my musicality, and the stars seemed to align when The Eleven allowed me a space to do exactly that. There is a certain sentiment to both “Circadian Rhythm” and “Heat Death” that could only be fully realized through this particular style. I had so much fun getting to explore it.
BX: Of all the stars in the universe, what inspired you to choose and write about Vega?
SJ: There was one particular night when some friends and I were having a night picnic and looking up at the stars together. Someone pointed out one star that seemed to shine the brightest out of all of them - granted, we were in LA so we couldn’t see all that many - and it turned out to be Vega. We learned together that it was 25 light years away from us, and discussed the fact that we were technically looking 25 years into the past when looking up at it. I went home and started the seeds of “Vega” but didn’t finish it until late last year.
BX: “Vega” is my favorite song from the EP, it’s a song that speaks to grief with comfort and hope. Can you elaborate on the inspiration behind this song?
SJ: A lot of my music is very much informed by my relationship to grief. I wasn’t raised religiously or anything, so I was punched in the gut with this huge metaphysical question of “Where is my mum?” when I lost her. The first thing to actually truly comfort me in this search was the cosmological notion that everything that has ever existed is actually existing at some point in space-time. In that way, no one is ever really gone. The people you have loved and lost are always somewhere out there loving you as if you were never separated.
BX: What is your favorite line written from the EP?
SJ: My favorite line appears in the intro song, which can be boiled down to “I don’t know where all my love went, I must have left it in the past…well, daylight savings comes tomorrow, and so I’m moving forward to get it back”. I’ve lately been viewing the whole concept of daylight savings as a metaphor for grief…in the same way we move our clocks forward to get back lost sunlight, we ourselves have to move forward in life to get back lost love.
BX: Can you explain how you chose to order the songs on the “Clockwork” EP?
SJ: I take special care to provide a smooth energetic journey for the listener throughout all of my projects. I’ve written a lot of essays in my life, so it seems that the structure of “intro, body, body, body, conclusion” has now bled into my musical life. That structure coupled with my attempt at spacing out the energetic pop songs between more intimate ballads is what led to this final order of songs.

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BX: “Sixty Years” is not a song from the EP, but it is time-related, and one of my favorite songs by you. Can you tell us a bit more about how this song came to fruition?
SJ: I wrote “Sixty Years” after learning from one of my professors at the time that we as humans only have around 50 to 60 years left to live sustainably on Earth at the rate at which things are going. That freaked me out. I didn’t know what to do with myself, so I went downstairs to one of the practice rooms and wrote the first verse. I just started thinking about where I’d be sixty years from now or about if I’d even be around. A lot of thoughts surrounding my fear of the world ending, aging, and not telling the people I love that I love them enough surfaced when I began writing it. That song was actually super pivotal in my decision to pursue songwriting because it was the first song I presented in a songwriting class I took during my sophomore year of college when I had no idea what I was doing. I remember playing the song on the piano and looking up at the end to find the teacher crying. She was like, “You really have something here. You were meant to do this.” It was at that moment that I understood the power of songwriting and how much I wanted to be a part of it. It can help listeners express their own unearthed feelings and process pain in a way that ultimately leads to healing.
BX: Does music or lyrics come first and or do you find that you change the process based on the genre of music itself?
SJ: I wish I had a solid answer for this but it truly depends on the song. Sometimes I write the lyrics first. That’s how I approached the intro song. Sometimes I write the melody first. Sometimes the chords. Sometimes, like with Vega, it all morphs together at once. More often than not, however, I’ll begin with chords and a melody and then weave in lyrics that fit into the structure of the music while also communicating what I want to say. With “Heat Death”, for example, I began with the beat, then put chords over it, then wrote the melody over that, then inserted lyrics over that structure.
BX: Besides the EP coming out on April 19, what else is happening on the horizon?
SJ: I have been writing and recording a lot of new music that is quite a departure from my typical soundscape. I'm eagerly awaiting the day when I can share it with the world. I’ll also be going on tour again this June with Couch the band to cover the West Coast.




Singer/Songwriter – Sophia James