

Brentwood polo shirt by Loro Piana

Cerulean pure silk superfine twill Atticus II double breasted peak lapel jacket and trouser with metal detail 18.75 CM, silver blue silk charmeuse classic collar slim fit shirt with pleat placket, all by Tom Ford by Peter Hawkings


Hooded blouson in sage technical wrinkled cotton, tank top in white “graph paper” fabric, wide-leg trousers with elastic waist in liquorice technical wrinkled cotton and sandals with notched sole in sand-beige and white calfskin, all by Hermès

Monogram single breasted cotton-blend Pont Neuf blazer and matching shorts, both by Louis Vuitton by Pharrell Williams; tank top by Calvin Klein; loafers, stylist's own
VISUAL TALES: Hi Graham We are super excited to have you making your cover/editorial debut by being featured in Visual Tales. We are sure this is the start of many more to come. We hope you really enjoy the experience. Is this what you envisioned what a photo shoot would be like?
GRAHAM CAMPBELL: I’m struck by how much humanity it was in the room during this shoot. My only fear coming into the editorial realm was that the nature of the project would be corporate, or insincere. That could not be further from the truth. Working with Visual Tales was an artistic collaboration in every sense of the word. It felt like play. I think that's evident in our results.
VT: How did your love of acting/performing begin?
GC: I’m the youngest of three, so I think my love for acting came when I realized I could use it to get my siblings' attention. Music and acting are the only things I’ve engaged with in my life that prick my ears up. When I found out I could support myself financially by doing something that felt earnest and in support of a holistic connection to existence, it felt like a no-brainer.
VT: Being a graduate and alumni of the Juilliard School, what was your education life there like attending such a prestigious school?
GC: I took a lot of issues with the prestige of the Juilliard school, or at least with the mechanization of the artistic process in general. Acting to me, like any art, exists in the unexplainable. In order to understand it, you have to come from a place of radical empathy, curiosity, and humility. I found that most of those things were missing fundamentally from Juilliard’s training program. I took a lot away from the school in a technical sense, but I predominantly credit most of my acting training to living in New York City.

VT: Congrats on your Broadway stage acting debut in Branden Jacobs Jenkins’ amazing play “Appropriate” portraying Rhys (Toni’s son), opposite a stellar cast, Sarah Paulson, Michael Esper, Corey Stoll, Elle Fanning, and now Ella Beatty. How did the role come to you? Tell us about your character Rhys and what draws you into wanting to make your Broadway acting debut with him?
GC: Rhys and I sort of found each other. Each of us, like anyone, is coming up against the frictions of what it means to understand yourself internally, within your family, and in relationship to society as a whole. As what I consider to be one of the greatest living American playwrights, Branden Jacobs-Jenkins was able to put the complexities of that experience into words. Myself and my cast are lucky enough to bring those words to life at the Belasco Theatre every night.
VT: Performing eight shows a week, even for a veteran of the stage, takes major discipline and dedication. How do you keep your performances fresh on a weekly basis?
GC: I spent a large part of my early career trying to create the conditions for good work. I was militant, and borderline obsessive, about my process to the point that I actually felt I was starving myself of the life experience necessary to tell a story in an authentic and vulnerable way. Rather than avoid it, I try now to sit with those things and bring them into the performance. By acknowledging the complexities of daily life, and breathing them into the story being told, the show can’t help but be fresh, and I hope accessible, or at the very least validating to those in the audience who are working to understand their own place in things.
VT: What did you learn from all the great actors in this ensemble?
GC: I often joke that I’ve just left school, and in many ways feel like I’m right back where I started. I learn so much from our ensemble, onstage and off, and I feel lucky to be able to call them my teammates.

Cerulean pure silk superfine twill Atticus II double breasted peak lapel jacket and trouser with metal detail 18.75 CM, silver blue silk charmeuse classic collar slim fit shirt with pleat placket, all by Tom Ford by Peter Hawkings

Petro blue mohair-blend made to order coat by Luca Lorenzo; floral print blazer, t-shirt, trouser and blue suede laceup dress shoes, all by Paul Smith

Monogram single breasted cotton-blend Pont Neuf blazer and matching shorts, both by Louis Vuitton by Pharrell Williams; tank top by Calvin Klein; loafers, stylist's own

Green shiny feather kappa zip racer jacket, mint luster viscose rib short sleeve polo, olive green yarn dyed Mikado Atticus II trouser with metal detail 18.75 CM and porcelain printed croc Bailey Chelsea boot, all by Tom Ford by Peter Hawkings


Milano linen jacket, Joetsu linen pants and polo shirt, all by Loro Piana
VT: At our shoot, you mentioned to us that you are very involved in music, should we expect to hear some new music from you soon?
GC: You would only hear new music from me if you knew which open window in midtown to stand under every night after the show. Music is a huge passion of mine and a sanctuary I consider myself to still be on the outside of looking in. That being said, several things are in the works, and to whoever's reading this, you’ll be the first to hear about it.
VT: We often take it for granted, what does living in New York and being a working actor mean to you?
GC: I had a teacher who used to say that dreaming to be a working actor was like dreaming to play for the Boston Red Sox. I think he said this in some way to encourage us to follow our ambition but also to enforce a healthy dose of reality; that chances are slim. But just like any kid who spent his afternoons batting in the backyard, or missing out on parties to give it all in an away game, the ambition hasn’t let me go. To be able to say at twenty-two that I’m living in New York City, supporting myself by doing a play that's not only commercially successful but also deeply fulfilling, is something I’ll be forever grateful for.
VT: What is a typical off-day like for you?
GC: Laundry. Vacuuming. I like to take all the things you're supposed to do throughout the week and put them off until the very last minute so I can be absolutely miserable on my day off. Then I like to get drinks with my friends.
VT: After Appropriate wraps (Extended final performance June 30), what type of creative projects are you interested in looking into?
GC: My hope is that my journey as an actor and a human being will bring me to the right project that I know nothing about. I’m all about stories that help push the needle forward in terms of social dialogue and greater significance. I’d feel lucky to be a part of a story like that regardless of what medium it’s manifested.
VT: If you can give advice to any aspiring young actors who are striving to make it. What would you tell them?
GC: My biggest advice would be to take everything you’re offered with a grain of salt. I find what’s missing in most acting training is the reminder to remain relentlessly committed to uncovering who you are amidst garnering technique. A technical body, breath, voice, and control of your instrument, it’s essential to the work of an actor. But the thing they don’t teach, the thing that will carry you to the finish, is knowing what you have to say once you get a hold of those things. That’s a long-winded way of reminding you to be yourself.
VT: You recently adopted a new pet, share with us some details about the addition to your life. How are things going?
GC: Tango, much like myself, was in search of somewhere to belong. He came from cruelty, in search of love, and I think he and I have been able to provide that for each other. He’s a good guy. The day I got him, someone on the street said “They raise you.” in regards to a dog’s relationship to its owner. In my experience so far, that couldn’t be more true.
VT: Your motto in life is…
GC: “One who knows, does not speak. One who speaks does not know.”

Forest-friendly viscose striped single breasted blazer, striped mid-rise straight leg trousers, striped ruffle tuxedo style shirt, all by Stella McCartney; porcelain printed croc Bailey Chelsea boot by Tom Ford by Peter Hawkings


Tuxedo blazer with broach by Mr. Saturday; red satin shirt, stylist’s own; archival wide leather anatomic trousers by Dirk Schonberger


Floral print zipper fleece by Ralph Lauren; jeans by Levi's; Tomori Sabot rubber, suede Calf split by Loro Piana

Green shiny feather kappa zip racer jacket, mint luster viscose rib short sleeve polo, olive green yarn dyed Mikado Atticus II trouser with metal detail 18.75 CM and porcelain printed croc Bailey Chelsea boot, all by Tom Ford by Peter Hawkings




Broadway Play APPROPRIATE